Complete
Sheet music
Scores
23
Arrangements and Transcriptions
30
Performances
Recordings
8
Synthesized/MIDI
7
Commercial Recordings
112
Scores
Bärenreiter Verlag, 1977.
Editor
Christoph Wolff (b. 1940)
Publisher
Neue Bach-Ausgabe, Serie V, Band 2 (pp.67-116)
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
Misc. Notes
600 dpi. Page size is 10.00 x 12.688 inches.
Copyright
Bärenreiter, 1977.
Editor
Christoph Wolff (b. 1940)
Publisher
Kassel: Bärenreiter, 1977. Plate BA 5162/DVfM 8007.
Copyright
Manuscript, n.d.
Engraver
Unidentified copyist
Publisher
Manuscript, n.d.
Misc. Notes
18th-century manuscript copy of the Balthasar Schmid edition.
Copyright
Balthasar Schmid, No. 16, n.d.(ca.1741).
Editor
First edition
Publisher
Nürnberg: Balthasar Schmid, No. 16, n.d.(ca.1741).
Misc. Notes
- 394103, #74598, and #18809 - Facsimile of Bach's personal copy ('Handexemplar') located in the Bibliothèque Nationale de France [Rés. Vm. ms. 949], including several ornaments added by hand in faded ink which is more visible in the color scan. See discussion page for list of hand-written additions.
The 14 canons upon the first part of the basso appear at the end on a separate page.
Copyright
Hans Georg Nägeli, n.d.[1802].
Publisher
Musikalische Kunstwerke im strengen Style von J.S. Bach u. andern Meistern
Zürich: Hans Georg Nägeli, n.d.[1802].
Zürich: Hans Georg Nägeli, n.d.[1802].
Misc. Notes
This file is part of the Submission Project.
Copyright
C.F. Peters, No. 209, n.d.(ca.1850).
Editor
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Publisher
Leipzig: C.F. Peters, No. 209, n.d.(ca.1850). Plate 2747.
Copyright
On this page
Complete
Complete
Complete
Complete
Bärenreiter Verlag, 1977.
Editor
Christoph Wolff (b. 1940)
Publisher
Neue Bach-Ausgabe, Serie V, Band 2 (pp.67-116)
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
Kassel: Bärenreiter Verlag, 1977. Plate BA 5048.
Misc. Notes
600 dpi. Page size is 10.00 x 12.688 inches.
Copyright
Complete
Complete
Bärenreiter, 1977.
Editor
Christoph Wolff (b. 1940)
Publisher
Kassel: Bärenreiter, 1977. Plate BA 5162/DVfM 8007.
Copyright
Complete
Complete
Manuscript, n.d.
Engraver
Unidentified copyist
Publisher
Manuscript, n.d.
Misc. Notes
18th-century manuscript copy of the Balthasar Schmid edition.
Copyright
Complete
Complete
Balthasar Schmid, No. 16, n.d.(ca.1741).
Editor
First edition
Publisher
Nürnberg: Balthasar Schmid, No. 16, n.d.(ca.1741).
Misc. Notes
- 394103, #74598, and #18809 - Facsimile of Bach's personal copy ('Handexemplar') located in the Bibliothèque Nationale de France [Rés. Vm. ms. 949], including several ornaments added by hand in faded ink which is more visible in the color scan. See discussion page for list of hand-written additions.
The 14 canons upon the first part of the basso appear at the end on a separate page.
Copyright
Complete
Complete
Hans Georg Nägeli, n.d.[1802].
Publisher
Musikalische Kunstwerke im strengen Style von J.S. Bach u. andern Meistern
Zürich: Hans Georg Nägeli, n.d.[1802].
Zürich: Hans Georg Nägeli, n.d.[1802].
Misc. Notes
This file is part of the Submission Project.
Copyright
Complete
Complete
C.F. Peters, No. 209, n.d.(ca.1850).
Editor
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Publisher
Leipzig: C.F. Peters, No. 209, n.d.(ca.1850). Plate 2747.
Copyright
Complete
Complete
Breitkopf und Härtel, 1853.
Editor
Carl Ferdinand Becker (1804–1877)
Publisher
Bach-Gesellschaft Ausgabe, Band 3 (pp.263-308)
Leipzig: Breitkopf und Härtel, 1853. Plate B.W. III.
Leipzig: Breitkopf und Härtel, 1853. Plate B.W. III.
Copyright
Complete
Complete
Edition Peters, No. 200-219, n.d.(ca.1898).
Editor
Carl Czerny (1791–1857)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Friedrich Conrad Griepenkerl (1782–1849)
Friedrich August Roitzsch (1805–1889)
Publisher
Leipzig: Edition Peters, No. 200-219, n.d.(ca.1898). Plate 8854.
Misc. Notes
This edition seems to be a new engraving of #19551, not altering content.
Copyright
Complete
Complete
Edition Peters, No. 4462, 1937.
Editor
Kurt Soldan (1891–1946)
Carl Adolf Martienssen (1881–1955), fingering
Carl Adolf Martienssen (1881–1955), fingering
Publisher
Leipzig: Edition Peters, No. 4462, 1937. Plate 11329.
Misc. Notes
Grayscale
Copyright
Complete
Complete
G. Henle Verlag, 1962.
Editor
Rudolf Steglich (1886–1976), editor
Walther Lampe (1872–1964), fingerings
Walther Lampe (1872–1964), fingerings
Publisher
Klavierübung 2.-4. Teil, (pp.60-112)
München-Duisburg: G. Henle Verlag, 1962. Plate HN 129.
München-Duisburg: G. Henle Verlag, 1962. Plate HN 129.
Misc. Notes
600 dpi.
Copyright
Complete
Complete
Bärenreiter, 1977.
Editor
Christoph Wolff (b. 1940)
Mikhail Arkadev (b. 1958), revisions and commentary
Mikhail Arkadev (b. 1958), revisions and commentary
Language
Russian
Publisher
Kassel: Bärenreiter, 1977. Plate BA 5162.
Reprinted
Концепция и комментарии М. Аркадьева
Moscow: Sovyetsky Kompozitor, 2002.
Moscow: Sovyetsky Kompozitor, 2002.
Copyright
Complete
Complete
Muzgiz, n.d.(ca.1980).
Editor
Leonid Roizman (1916–1989)
Publisher
Moscow: Muzgiz, n.d.(ca.1980).
Misc. Notes
Preface removed
Copyright
Complete
Complete
Könemann Music, 1996.
Editor
Tamás Zászkaliczky (b. 1943)
Publisher
Budapest: Könemann Music, 1996. Plate K 169.
Misc. Notes
600 dpi. Page size A4 (210 × 297mm). Urtext edition.
Copyright
Complete
Complete
Open Goldberg.
Editor
Publisher
Open Goldberg
Misc. Notes
Open Goldberg Variations. Werner Schweer, editor. Peer reviewed on MuseScore.com
Complete
Complete
Creative Commons Attribution Non-commercial Share Alike 3.0
Martin Straeten.
Editor
Publisher
Martin Straeten
Misc. Notes
Complete edition incl. Verschiedene Canones über die ersteren acht Fundamental-Noten der Arie, BWV 1087.
Edition based on the composer's copy of the first printing.
These file(s) are part of the Werner Icking Music Collection.
Edition based on the composer's copy of the first printing.
These file(s) are part of the Werner Icking Music Collection.
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Complete
Complete
Derk Van der Veen, 2022.
Editor
Derk Van der Veen (b. 1972)
Publisher
Derk Van der Veen, 2022.
Misc. Notes
1) the first edition from 1741 has been converted to modern notation;
2) Bach's corrections have been implemented and notation errors that remained have also been addressed;
3) in addition, elements on which opinions may differ are discussed in advance along with those errata;
4) ornamental symbols have been taken from the first edition;
5) the layout and paper size have been chosen to make it easier to see the structure of the piece;
6) peer reviewed and thoroughly discussed by 10+ professional musicians.
2) Bach's corrections have been implemented and notation errors that remained have also been addressed;
3) in addition, elements on which opinions may differ are discussed in advance along with those errata;
4) ornamental symbols have been taken from the first edition;
5) the layout and paper size have been chosen to make it easier to see the structure of the piece;
6) peer reviewed and thoroughly discussed by 10+ professional musicians.
Complete
Complete
Nuno R. Rodrigues, 2024.
Editor
Publisher
Nuno R. Rodrigues, 2024.
Misc. Notes
This edition is an update on the 2012 Open Goldberg edition. A list of changes is available at MuseScore.com
Complete
Complete
Edition Peters, No. 4482, 1937.
Editor
Kurt Soldan (1891–1946)
Carl Adolf Martienssen (1881–1955), fingering
Carl Adolf Martienssen (1881–1955), fingering
Publisher
Leipzig: Edition Peters, No. 4482, 1937. Plate 11329.
Misc. Notes
Clean black-and-white copy
Copyright
Selections
Selections
Selections
Selections
Pierre Lafitte, 1907.
Publisher
Album Musica, No.61
Paris: Pierre Lafitte, 1907.
Paris: Pierre Lafitte, 1907.
Copyright
Selections
Selections
RSB, 2011.
Editor
Publisher
RSB, 2011.
Misc. Notes
This new typeset writes out the ornaments that in the first edition are given as symbols. But there are errors in their interpretation, such as the second beat of the 3rd bar of the Aria in which the initial turn starts on the wrong note. An appoggiatura is missing in the third bar before the end of the first page of the Aria. There may be additional errors in these files.
Selections
Selections
Creative Commons Attribution Non-commercial Share Alike 3.0
Joel Mayes.
Editor
Publisher
Joel Mayes
Misc. Notes
These file(s) are part of the Werner Icking Music Collection.
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Aria
Aria
Aria
Aria
Bärenreiter Verlag, 1957.
Editor
Georg von Dadelsen (1918–2007)
Publisher
Neue Bach-Ausgabe, Serie V, Band 4 (pp.103)
Kassel: Bärenreiter Verlag, 1957. Plate BA 5008.
Kassel: Bärenreiter Verlag, 1957. Plate BA 5008.
Misc. Notes
600 dpi. Page size is 10.00 x 12.688 inches. From the 1725 notebook of the Notebooks for Anna Magdalena Bach (No.26).
Copyright
Aria
Aria
Bärenreiter, 1957.
Editor
Georg von Dadelsen (1918–2007)
Publisher
Notebook for Anna Magdalena Bach, 1725 (p.25)
Kassel: Bärenreiter, 1957. Plate BA 5164.
Kassel: Bärenreiter, 1957. Plate BA 5164.
Misc. Notes
600 dpi. From the 1725 notebook of the Notebooks for Anna Magdalena Bach (No.26).
Copyright